Hero? Sometimes. Interesting Splits and Bloc Voting Part Two (Sweden)

While there was a good deal of love from televoters for this year’s Swedish entry, the viewing public rather convincingly preferred Il Volo’s Grande Amore—and Polina Gagarina’s A Million Voices—over Mans Zemerlow’s Heroes. And yet Sweden earned its second victory in four years in convincing fashion—raising many questions about the current blended public vote/jury vote scoring system.